It is appealing how Plath seems to be relatively candid with her word choice, and her use of honest diction over powers any of the sugar coating that cosmetic corporations employ.
The second stanza explores the effects of truth. It is contained in the rebellious rejection of the mirroring role in the opening lines of "Mirror" that ostensibly accept and define it. She continues with the claim that, … our chief problem here is not to diagnose mental maladies, imposing order from the outside.
I can see now, after closer examination, this was a terrible decision John Horder, her general practitioner GP  and a close friend who lived near her. A lake is expansive, powerful, and teeming with unknown life. The image of woman as reflector functions in several ways.
The Wound and the Cure of Words. The light that surrounds both candles and the moon is typically either dim or completely dark. Daylong a duet of shade and light Plays between these. James Strachey et al.
Further Analysis — First Stanza This poem is all about appearances and the search for the self. She rewards me with tears and an agitation of hands. Every day is so precious I feel infinitely sad at the thought of all this time melting farther and farther away from me as I grow older.
Mirrors have no prior knowledge of anything; they simply are. The escape from mirror and mother to cloud does not permit an escape from their mutual fate as depersonalized victims of erasure. Bibliography Annas, Pamela J. In a journal entry as a teenager she wrote: Noting this, we can suggest with confidence that there is no closure, certainty or order in the stylistic choices the author has made, features that are perhaps reflective of her emotional state.
I shall now return to a detailed analysis of this origin. And it is this quality of truthfulness which allows the mirror to declare itself as the eye of a little god; an all seeing minor deity holding disproportionate power over its subjects.
So the poem begins: She rewards me with tears and an agitation of hands.
The monster, then, does not so much dwell on the other side of the mirror; she is the other side of the mirror, the perpetuation of the mirror's male-inscribed ideal in a form that otherwise rejects it.
Not liking the self it sees, the mind projects a Double or false self as a dummy, which serves to protect the true self from scrutiny. Is the mirror losing its grip on its own reality?
The poet here has represented the same sentiment. Almost to the very end Plath remained ambivalent, retained her dual identity, and could not celebrate liberation or defiance unperplexed.
A Historical Grammar of Poetic Myth. I have looked at it so long I think it is part of my heart. In this study, Frazer describes the beliefs of primitive cultures to whom the soul was seen as a separate entity from the physical body, yet simultaneously living within it Ted came back to Cambridge and suddenly we found ourselves getting married a few months later The woman as the passive, selfless reflector is inscribed in psychoanalysis, motherhood, and the male text and is submissively adopted by the woman as her own identity.
In particular, she wanted to highlight the issue that some females have with their image, and the inner turmoil that can be caused as the aging process picks up its pace. It appears to be speckled-pink in color.
In many of these poems, the stone, jade, plaster, or anesthetized persona shares the muted stage with old yellow, the lioness, the acetylene virgin, or other threatening figures from the depths, though it is not until her final poems, principally "Daddy" and "Lady Lazarus," that the menacing avenger explodes onto the surface as the dominant force in poems of assertive threat and rage.
To tell one's own story, even if it is, as it must be, the story of absence and effacement, is to establish a presence and to display, perhaps for the first time, the face behind the angelic silver mask. Finally and most impressively, however, unlike most poems that consciously identify their beast of creative enterprise, "Mirror" generates its emblem of autonomy in the language and processes of a poem that has ostensibly made its peace with mere reflection.For many women writers, the search in the mirror is ultimately a search for the self, often for the self as artist.
So it is in Plath's poem "Mirror." Here, the figure gazing at and reflected in the mirror is neither the child nor the man the woman-as-mirror habitually reflects, but a woman.
Poetry analysis: Sylvia Plath’s “Mirror” The Mirror is an emblem of the objective truth in the present tense in Sylvia Plath’s “Mirror.” It is silver to the extent of perfect reflection. A woman bends over the mirror trying to discover her self.
The mirror is called a lake. Get an answer for 'Paraphrase (line by line) the poem "Mirror" By Sylvia Plath.' and find homework help for other Mirror questions at eNotes. rows eNotes search.
Mirror by Sylvia Plath Introduction: Mirror is a free verse written by the American poet Sylvia Plath. The poem is written from the perspectives of two entities: a mirror and a lake, and the piece stands for the ideas of honesty, truth, and neutrality.
Told from a mirror’s point of view, the mirror in the poem witnesses the truth of what it means to age. Sylvia Plath’s poem, Mirror, is a poem that deals with the truths and lies in the struggle a woman goes through when grasping the reality of aging. Terrible Fish in Sylvia Plath’s Mirrors: Perception and Relevance of Mirror Imagery Plath’s Mirror” that for Sylvia Plath, mirror holds great significance because “the search in the mirror is ultimately a search for the self, often.Download